I made a lot of new submissions of short stories this week. I had two entered into the same short story contest and neither won, so that freed them up to get sent elsewhere. I know it’s a bad way of doing it but I was so keen on this one prize in particular that I didn’t submit either story anywhere else in the eight months while I was waiting for it to be announced. This isn’t a good way of handling short story submissions and I know it, so now I have sent out a bunch and I’m feeling a lot more professional about the whole endeavor.
I’m trying to be quite strategic about it and targeting my submissions very carefully, while maximising my time and submitting to multiple places at once. I have my list of about ten journals and magazines that I would particularly like to be published in, and I am going for those first. It’s probably not wildly different from other peoples lists, but it’s good to have so much work out there at once. It still feels a bit like playing the literary lottery. No matter how familiar you are with a particular journal you can never be entirely sure that your story is a good fit. Or even good enough. I have no idea how to evaluate that.
But the submitting has happened and I’m feeling very good about it. It’s also been very helpful that so many places use Submittable, the online submissions management software. I love the ease that it brings to the submissions process, having a journals submissions guidelines so easy to see is fantastic, and there is something pleasing about a list of open submissions. I’ve never felt so organised. The only real downside is the obsessive checking that it has inspired. There is nothing rational about checking on the status of a submission an hour after you made it, but that’s what I found myself doing.
One of the things that I think Submittable has really added is the ease with which you can financially support the publications that you are submitting to. I know there has been a lot of controversy about publications charging reading fees, and how Submittable makes it just as easy for them to charge as it does for us to submit, but on the whole I like the way I have seen publications using it. For example The Lascaux Review has the option of submitting for free, or with a small tip; no pressure, just the option of clicking this button rather than that button. Ambit magazine has a bit at the bottom of its submissions page where you can buy subscriptions or single issues with a note saying that making a purchase absolutely will not affect the outcome of your submission, which is good. I’d be disappointed if it did. But it gave me a very convenient way to grab a copy.
I read a bunch of different posts around the internet about the ethics and legitimacy of publications charging submission fees, and it is a thorny issue. Anything that might inhibit a writer from submitting because they simply can’t afford it would be a shame, but equally the publications need to survive, and I feel good about financially supporting places that I am hoping will support me artistically. But I know that I’m lucky to be able to afford it. I didn’t used to be able to, but while I can I will.
But the obsessive checking it inspires is real. I even checked it once while writing this.